News

David Marsden tribute in Parliament

Happy 2015!  I realize I have not been very diligent about updating this blog.  Facebook is where the action is these days but I have to remember not everyone is on Facebook so will be more on top of updating here as well.

U.S. distribution news coming soon!  In the meantime, I want to post some odds ‘n ends, starting with this below.  David Marsden has left The Rock 94.9 and now does his shows live on his own site: www.nythespirit.com

Here was a tribute to David last month in Canadian Parliament, from MP Erin O’Toole:

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Indie 88 – I Am What I Play (Toronto)

Since completing I Am What I Play, I’ve been outreaching to the radio community with an interest in discussing the key theme of the film: disc jockey creative control.  I continue to be curious about who is still out there on the dial, doing radio in the spirit of free form so a couple of weeks go, I dropped into Toronto radio station Indie 88 for a chat with Program Director Adam Thompson.

Indie 88 burst on the Toronto radio scene a little over a year ago with the mandate to give a voice to truly independent music.  I wanted to get Adam’s thoughts on programming music, his approach to radio and get a sense of the amount of freedom he gives the DJ’s.

Three encouraging things:

1)Adam is clearly a radio guy.  I mean that in the most positive way.  He clearly knows the business but is coming at it from deep love and knowledge of the music, rather than from some kind of marketing and PR background.   He is a decade younger than me but grew up a radio die-hard.

2)The DJ’s have input into the music they play.   The station definitely thinks in terms of shows, not shifts.   As the name implies, the station is independently owned – family, not corporate.   There are DJ’s on the show who program their show entirely and most at the station are involved in the music programming.

3)The music is not narrow-casted.  Of course, they have a target audience but they program a wide spectrum of artists.

Indie88

They vow to put music first.  There is even a manifesto:  http://indie88.com/about/indie88-manifesto/

As any good radio station should, they are slowly but surely integrating themselves into the Toronto community and giving a voice to indie artists and events.  And hey, they even threw it open to the general public to not only audition to be the voice of the station but to vote on the finalists once the field was narrowed a bit:  http://indie88.com/jen-is-the-new-voice-of-indie88/

As a voice talent agent, how can I not love this?

It will be interesting to keep an ear on Indie 88 in the next couple of years as they gain more of a foothold in the Toronto scene.  Will the reins tighten a bit on the format or will they continue to push forward in “the spirit of radio”?

This is the first in a series of pieces exploring radio programs and stations where the music programming is unpredictable and the DJ’s are given freedom.  We are interested in hearing from you.  Do you host a radio show or work at a station that fits this description?  Or maybe you listen to one?  Drop us a line: distraction@distractioninc.com

We’d love to publish your blog piece about the show or station.   We aim to spread the word about current radio operating in the spirit of “I Am What I Play.”

I Am What I Play trailer

Every film needs a trailer and we’re excited to share it with you now.   Here’s a first look at I Am What I Play.

 

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Be sure and follow the film:

Facebook:  https://www.facebook.com/pages/I-Am-What-I-Play/297875140261718
Twitter:  https://twitter.com/radiodjmovie

Free-Form Ambassadors

As we shop the film and start to do promotion at the same time, the question keeps coming up:  why did we choose these 4 particular radio jocks?  I think once you see the film, you’ll agree we’ve chosen wisely in terms of personalities/characters.   That was the idea:  to showcase 4 DJs who have had ups and downs in their lives, just like the arc of a movie character.  But the big picture was to present 4 jocks whose careers would be symbolic of the profession, the medium and the heyday of rock radio.  We’re very happy with the subjects of the film but no doubt there are other worthy disc jockey choices as well.

The common theme among our 4 DJs is very much about freedom.  They fought throughout their careers to be able to continue to do what they wanted to do.  One of the things we hope the film will do is to generate a discussion about the current state of radio.  So here’s the ongoing question that we want to be a part of this film blog:

What DJs currently on air are still doing their shows in the free form tradition?  Who is still playing what they want to play and saying what they want to say?

In the comments section, please name names:  the DJ, the name of the show (if there is one), the city and the station.  Give us a short description of the show as well.  We would like this to be a place radio fans can visit and get a sense of the great radio shows that are still out there and where they can be found.

If we start to get enough of a DJ list going, we may create a separate Facebook group or web page dedicated to these free-form ambassadors.

Screen Shots

Over at the  I Am What I Play Facebook page, we have been posting screen shots from the film on a regular basis.   If you’re on Facebook, be sure and like the page for updates on the movie.  We will continue to update this blog but the Facebook page has more up to the minute action:

https://www.facebook.com/pages/I-Am-What-I-Play/297875140261718

Having said that, here are a few screen shots from the film:

 

Charles Laquidara in a 1970’s TV commercial for his morning radio show, The Big Mattress.

Meg Griffin in the WNEW studios in New York City, late 1970’s.

David Marsden being inducted into the Canadian Music and Radio Broadcast Hall of Fame in 2011.

Newspaper ad for Pat O’Day’s radio show in the late 60’s.