Canadian Premiere

Our Canadian premiere took place Friday May 8 in Toronto at the Royal Cinema.  We were the opening film of the Canadian Music Week (CMW) Film Festival and we had a great turnout at the theater.  This premiere was well-timed as CMW’s two-day radio conference had just wrapped up so a lot of radio industry titans were already in town.  Many of them attended the screening and the film was very well received.   Also in attendance was one of the film’s 4 subjects, David Marsden, who took part in an entertaining Q & A session after the film.   We look forward to more screenings in Toronto in the near future.

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Royal Cinema line-up

 

Hello Boston!

On Sunday, April 26, the film premiered to an enthusiastic crowd at The Boston Independent Film Festival.  Boston was of course the radio home to one of our 4 featured DJ’s, Charles Laquidara, for over 30 years.  Lots of Charles/WBCN fans were in attendance and it was great to finally see the film on a big screen with an audience.

There are plans to bring the film back to Boston in late May or June so stay tuned for details on that screening.

Thanks again Boston radio & film fans and IFF Boston!

 

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Producer/Director Roger King, during Q & A, at the U.S. Premiere in Boston.

 

I Am What I Play on Sirius XM Canada

Had some fun last week on Sirius XM Canada as a guest on the Todd Shapiro show. Lots of talk about I Am What I Play and being a radio DJ (as well as the voice-over industry). The interview starts around the 44:00 mark.

http://thetoddshapiroshow.com/2015/01/the-todd-shapiro-show-episode-211-2.html

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Be sure and follow the film:

Facebook:  https://www.facebook.com/pages/I-Am-What-I-Play/297875140261718
Twitter:  https://twitter.com/radiodjmovie

David Marsden tribute in Parliament

Happy 2015!  I realize I have not been very diligent about updating this blog.  Facebook is where the action is these days but I have to remember not everyone is on Facebook so will be more on top of updating here as well.

U.S. distribution news coming soon!  In the meantime, I want to post some odds ‘n ends, starting with this below.  David Marsden has left The Rock 94.9 and now does his shows live on his own site: www.nythespirit.com

Here was a tribute to David last month in Canadian Parliament, from MP Erin O’Toole:

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Indie 88 – I Am What I Play (Toronto)

Since completing I Am What I Play, I’ve been outreaching to the radio community with an interest in discussing the key theme of the film: disc jockey creative control.  I continue to be curious about who is still out there on the dial, doing radio in the spirit of free form so a couple of weeks go, I dropped into Toronto radio station Indie 88 for a chat with Program Director Adam Thompson.

Indie 88 burst on the Toronto radio scene a little over a year ago with the mandate to give a voice to truly independent music.  I wanted to get Adam’s thoughts on programming music, his approach to radio and get a sense of the amount of freedom he gives the DJ’s.

Three encouraging things:

1)Adam is clearly a radio guy.  I mean that in the most positive way.  He clearly knows the business but is coming at it from deep love and knowledge of the music, rather than from some kind of marketing and PR background.   He is a decade younger than me but grew up a radio die-hard.

2)The DJ’s have input into the music they play.   The station definitely thinks in terms of shows, not shifts.   As the name implies, the station is independently owned – family, not corporate.   There are DJ’s on the show who program their show entirely and most at the station are involved in the music programming.

3)The music is not narrow-casted.  Of course, they have a target audience but they program a wide spectrum of artists.

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They vow to put music first.  There is even a manifesto:  http://indie88.com/about/indie88-manifesto/

As any good radio station should, they are slowly but surely integrating themselves into the Toronto community and giving a voice to indie artists and events.  And hey, they even threw it open to the general public to not only audition to be the voice of the station but to vote on the finalists once the field was narrowed a bit:  http://indie88.com/jen-is-the-new-voice-of-indie88/

As a voice talent agent, how can I not love this?

It will be interesting to keep an ear on Indie 88 in the next couple of years as they gain more of a foothold in the Toronto scene.  Will the reins tighten a bit on the format or will they continue to push forward in “the spirit of radio”?

This is the first in a series of pieces exploring radio programs and stations where the music programming is unpredictable and the DJ’s are given freedom.  We are interested in hearing from you.  Do you host a radio show or work at a station that fits this description?  Or maybe you listen to one?  Drop us a line: distraction@distractioninc.com

We’d love to publish your blog piece about the show or station.   We aim to spread the word about current radio operating in the spirit of “I Am What I Play.”

I Am What I Play trailer

Every film needs a trailer and we’re excited to share it with you now.   Here’s a first look at I Am What I Play.

 

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Be sure and follow the film:

Facebook:  https://www.facebook.com/pages/I-Am-What-I-Play/297875140261718
Twitter:  https://twitter.com/radiodjmovie

Free-Form Ambassadors

As we shop the film and start to do promotion at the same time, the question keeps coming up:  why did we choose these 4 particular radio jocks?  I think once you see the film, you’ll agree we’ve chosen wisely in terms of personalities/characters.   That was the idea:  to showcase 4 DJs who have had ups and downs in their lives, just like the arc of a movie character.  But the big picture was to present 4 jocks whose careers would be symbolic of the profession, the medium and the heyday of rock radio.  We’re very happy with the subjects of the film but no doubt there are other worthy disc jockey choices as well.

The common theme among our 4 DJs is very much about freedom.  They fought throughout their careers to be able to continue to do what they wanted to do.  One of the things we hope the film will do is to generate a discussion about the current state of radio.  So here’s the ongoing question that we want to be a part of this film blog:

What DJs currently on air are still doing their shows in the free form tradition?  Who is still playing what they want to play and saying what they want to say?

In the comments section, please name names:  the DJ, the name of the show (if there is one), the city and the station.  Give us a short description of the show as well.  We would like this to be a place radio fans can visit and get a sense of the great radio shows that are still out there and where they can be found.

If we start to get enough of a DJ list going, we may create a separate Facebook group or web page dedicated to these free-form ambassadors.

Screen Shots

Over at the  I Am What I Play Facebook page, we have been posting screen shots from the film on a regular basis.   If you’re on Facebook, be sure and like the page for updates on the movie.  We will continue to update this blog but the Facebook page has more up to the minute action:

https://www.facebook.com/pages/I-Am-What-I-Play/297875140261718

Having said that, here are a few screen shots from the film:

 

Charles Laquidara in a 1970’s TV commercial for his morning radio show, The Big Mattress.

Meg Griffin in the WNEW studios in New York City, late 1970’s.

David Marsden being inducted into the Canadian Music and Radio Broadcast Hall of Fame in 2011.

Newspaper ad for Pat O’Day’s radio show in the late 60’s.

Radio Stuff podcast

Larry Gifford is a U.S. radio guru/consultant and he hosts a podcast about radio called Radio Stuff. I joined him on the podcast recently to talk about the film.  Click on the link below to listen.  The interview starts at the 13:00 minute mark:

http://radiostuff.podomatic.com/entry/2014-06-19T15_04_35-07_00

In addition to reading this blog, the best way to keep up-to-date on the film is to join us on Facebook and like the page:

https://www.facebook.com/pages/I-Am-What-I-Play/297875140261718

Testing, Testing

In February, we completed two test screenings of the film.  Intimate locations – the screening room of a post-production facility.  About 15 people in attendance each night.  I served wine.  I know it’s rock radio so an Australian Merlot doesn’t immediately come to mind but I’m just trying to add a touch of class to the proceedings. (Editor note:  I even took a picture of the wine and glasses but my picture upload is not cooperating!).

Needless to say, it was a thrill to sit and watch the finished product with a live audience.  Now I knew almost everyone at both screenings but it was still a nice mix of a few radio/voice over types, a few old friends, a couple of people who worked on the film and even a couple of strangers who have nothing to do with radio, TV or film.  The feedback was universally positive – people really seemed to love the film.   And I do have friends and colleagues who can dish out the constructive criticism when it’s warranted.

In this case, it was mostly constructive praise.  Criticism was mainly of the “tweaking” variety.  I gave them all a questionnaire to fill out at the end.  Some comments:

You meted out the story telling with each character in such a way as to make the point on that portion and move on to the next. I thought your timing was excellent.

” Well produced!!  Very interesting subject matter, a great range of music, and visually compelling. ”

“The best film about radio I’ve ever seen.”

I was looking for any obvious holes or segments that didn’t work or make sense.  There was very little of that so here we go:  I have begun the outreach to broadcasters and distributors.  Another journey has begun.  I am trying to avoid the pounding the pavement on the film festival circuit, though Friday was the deadline for submitting to the Toronto International Film Festival and I dropped it off in person.   Updates to follow!