The Waiting is the Hardest Part

Well, this week marks a year since we first went on the road to Boston to interview Charles Laquidara and shoot all our Boston footage.  I’m happy to report that the Detroit Tigers are once again playing in the American League Championship Series so we’ve come full circle.

We’re heading into the 6th week of editing now so the mad dash for photos, archival footage, musical rights and radio air checks is in full swing.  I’m mostly enjoying the process though I must confess that on any given day, you could either find me championing the film in my mind as a brilliant artistic contribution to modern society, or in a bundle of self-loathing on the floor, convinced no one will give up two hours of their life to see it.  Most days though, I’m somewhere in between but much closer to the positive end, all things considered.

I am enjoying the process more often than not.  The joy of discovering a new photo or snippet of archival footage that perfectly suits the segment.  The satisfaction of watching a suggested edit that actually works.  The relief of cutting a chunk out of a scene and seeing that it still makes sense after the chop.  And being able to watch scene assemblies and send notes to the editor from the pub!

When a film is working but is not complete, it requires a solid amount of discipline not to immediately screen it for friends and family.  The waiting is the hardest part, as Mr Petty once said.  But I think this film is going to rock.  And given the subject matter, that would be fitting.

Meg in Manhattan

It was a productive five days in Manhattan this July where we spent a day with the great Meg Griffin at Sirius XM radio studios.  Meg is our 4th and final DJ in the film and is just a great pick for the flick!   She started her radio career in the early 70’s in Briarcliff Manor, New York alongside some guy named Howard Stern.  Within a couple of years, she was at New York City’s legendary WNEW and her career just took off from there.

In our interview with her, we heard great stories about the 1970’s New York punk and new wave scene, the beginnings of MTV, her long-standing friendship with the aforementioned Mr Stern and of course her take on the evolution of rock radio, including her current work with Sirius XM.  Meg is great on camera and we can’t wait for people to hear/watch her story.

We also talked to Sirius XM CEO (and former CEO of CBS) Mel Karmazin, as well as Rita Houston at the very cool WFUV in The Bronx and Allan Pepper, the owner of the legendary Bottom Line night club.  All have long and deep connections to Meg and have great respect for her work and musical knowledge.

We of course took in a little of New York City too: drinks in the village, great Mexican food in Soho, a photo exhibit opening on Central Park West and half price wine between 8-10 pm every night in the bar of our hotel, The Shoreham.  The city that never sleeps indeed.  Or at least only turns in early before film interview days!

On to editing we go.  Don’t touch that dial! (sorry – couldn’t resist a lame, dated phrase there)

Meg Griffin, with our Production Manager, David Jermyn.   Sirius XM Studios, New York City.  July 8, 2012.

Boston’s WBCN back from the dead – on HD

An interesting New York Times piece below on the return of Boston’s WBCN – on HD.  It doesn’t mention our man Charles Laquidara but we are tracking any news connected with WBCN and free form radio in general so it is posted here:

http://www.nytimes.com/2012/04/16/business/media/wbcn-progressive-rock-station-returns-on-hd.html?_r=1

Cross Talk

Got back into the swing of shooting in 2012 as we had a great interview with Alan Cross last week at his home.  Alan spent 25 years on-air at CFNY and is perhaps best known for hosting over 700 episodes of the series, The Ongoing History of New Music.  Alan was possibly the last person hired by David Marsden before leaving CFNY and he had some great stories for the film about what it’s like to work with, and for, The Mars Bar!

Alan has posted a short piece about our interview here:

http://www.alancross.ca/a-journal-of-musical-things/2012/1/29/doc-in-progress-about-radio-dj-greats.html

Producer/Director Roger King takes in the action as Alan Cross gets “Schmoozed” (the dog’s name is Schmooze).

 

Sojourn to Seattle

We are back from a week in the Pacific North West.  This was Pat O’Day territory.  As Charles Cross, the well-known Seattle music writer, told us, there isn’t a generation in Seattle that doesn’t know Pat O’Day for something.  Whether it’s his legendary on-air and then management stint at radio powerhouse KJR or his dance and concert promotion business in the 60’s and 70’s, or his 47th year in a row doing the TV play by play for Seattle’s Sea Fair, or as part owner and chief spokesman for The Schick Shadel Hospital (“Give us 10 days and we’ll give you back your life”), O’Day is a Seattle legend.

We spent 2 days on the San Juan Islands, where O’Day now runs a successful real estate business and a solid 5 hours at O’Day’s beautiful home on the water, running down all the stories from a life of peaks and valleys.  We covered O’Day’s relentless promotion of the local Seattle music scene which laid the groundwork for the grunge scene that would come decades later, his friendship with Jimi Hendrix, an attempt on his life early in his radio career, his brush with the mafia during his concert promotion days, his alcoholism, anti-trust lawsuit and Chapter 11 flirtation, and his time in Russia, helping to train the next generation of DJ’s.  And this only scratches the surface!

We spent time at The Space Needle, the Hendrix grave site, Pioneer Square, the always enticing Pike Fish Market, Kerry Park and the oldest Japanese restaurant in Seattle, to name a few locales.  And the aforementioned Schick Shadel Hospital where we talked with some addicts who are literally learning to get sick of alcohol http://www.youtube.com/watch?v=kPfL4LGALx4&feature=related.  The biggest challenge is going to be condensing O’Day’s story to bite size pieces in the edit.  His life could be a film on its own!

 

Left to right: Kevin MacKenzie (Sound Engineer), David Cain (Director of Photography), David Jermyn (Production Manager), Roger King (Producer/Director).  Middle: Pat O’Day

 

The Mars Bar

We have been shooting our interviews with David Marsden at The King Edward Hotel in Toronto.  We had wanted to shoot in the hotel bar but there are clearance release issues with the hotel.  Plus, a waitress I know there tells me that a businessman reserves the table we had in mind every day between 12-7 pm.  Sometimes he is joined by others; sometimes he’s alone.  He drinks an average of 5-7 martinis a day while doing business.  His bills range from $200-$500 daily. We were tempted to stop work on I Am What I Play and immediately begin the documentary on the guy with the permanent table at The King Eddy!

We shot over 6 hours of interviews with Marsden and there are still stories I realize we didn’t get to yet.  We did cover a lot of ground though.  From his days as mouter-mouthed David Mickie at CKEY in Toronto – and the hosting of 2 TV shows to go with the radio work – to being a major part of the free form radio movement in Montreal at CKGM-FM (now CHOM-FM) and in Toronto at 70’s powerhouse CHUM-FM, the stories just flow, with playfulness and good humor.  The early days of FM radio, the FLQ crisis and John & Yoko’s bed-in in Montreal, the gay club scene in 1960’s Toronto, and of course the creation of CFNY and the alternative rock format for which Marsden is best known.  These are only some of the topics covered during our lengthy sit-downs together.

And the best part is – Marsden is STILL doing the free-form thing, on 94.9 The Rock, Saturday and Sunday nights – and at www.marsdenglobal.com

You will love David Marsden on camera!  He is truly full of life.

Director Roger King with David Marsden on location at The King Edward Hotel, Toronto.  In background, sound man extraordinaire, Kevin MacKenzie.

David Marsden in The Marsden Theatre at 94.9 The Rock.  DOP David Cain climbs new heights to get the shot.